History & Culture

SPIRIT OF INDIA

  • The INDIAN SPIRIT chooses on what is "Auspicious," and on what is " Bright." (example Gayathri japa.)

  • It accepts that God and his functionaries rule the "Destiny," of this universe.

  • It calls upon men to have firm limbs, a strong body with healthy eyes and healthy ears, to fulfil his role on earth.

  • This positive note, affirming the reality of life, that life has a purpose, that life is an opportunity, is the keynote of the Indian Culture.

  • CULTURE, its source:

The culture of a people lies in their CONSCIOUSNESS of LIFE. Indian history reveals that in its five thousand years of life, the people were governed by their single dominant motive, that is "DHARMA."  The root of 'Dharma,' is derived from 'Dhr,' that is 'to hold,' or to 'Uphold,' or to 'support,' or  'Stick on to,' the SATHYA or THE TRUTH.    

Gayathri jaba

SATHYAM is the essential truth of a static being. It is basic and fundamental. It is the same in movement, it in action, and becomes the LAW of that truth described as RITAM in VEDAS.

NOTE: Thus Manu was not the inventor of the laws. Manu was not a single individual. Manu as well as Vyasa are titles of those who compiled, edited and interpreted in their own ways. (A similar theory is believed about Valluvar and Avvaiyar.) In Tamil ARAM is the equivalent of the concept of DHARMA. Thus Hindus believed from time immemorial that every thing is governed by DHARMA in the universe.

It is left to man to find the truth, to know the truth, and express the truth. Every activity, each profession was also governed by the concept of Dharma. Thus common expressions found to this day are, 'Raja Dharma' that is 'Ruler's responsibility',  'Praja Dharma,' meaning 'Peoples duties;' 'Vrithi Dharma;' meaning 'Occupational ethics,' 'kula Dharma,' meaning 'Community's/ clan / caste,'' accountability, etc so on. Thus Dharma is paramount, it is all embracing. It comprehends every field of activity in the world.  

THE THREE QUARTERNARIES:

Indian Culture is a study of three quartenaries.

THE FIRST is called "Purusharthas," that is DHARMA, ARDHA, KAMA, and MOKSHA.

THE SECOND is called " Ashramas," that is the four stages of life namely "Brahmacharya," or student life of celibacy, " Grihastha," or family life of marital status,  

Moksha image

" Vana prastha," or the stage of public service, and Sanyasa," or the stage of renunciation or taking to purely to spiritual life.  

THE THIRD is called " JATI/Kula Dharma"- commonly described as 'Caste system.' Its origins were purely based on individual vocations at pooling and drawing optimum of energy/services on a co-operative basis eliminating competition and rivalries. The Rig Vedic references are clear, throwing light on the fact that all professions were found in each family and there were no restrictions on inter marriages and inter dining. Corruptions took place by the time we come to the period of Ramayana and Mahabharatha when foreign invaders and local tribes began to mix freely.  

DHARMA ASPECT

This has been explained above. Thus Dharma is some thing more than righteous living, and more than virtuous life. It was more than even the concept of the rule of law.  

ARDHA ASPECT

Ardha implies a legitimate interest of man in the world, in all the walks of life. Only this Ardha has to be sought in the light of Dharma, in the background of Dharma, consistent with Dharma. Thus equal importance was given to material aspects of life as   well.  

KAMA ASPECT:

Kama or aspects of wordily pleasures was not neglected. Ancient Indians were not hypocrites. They did not turn their backs on the facts of life. They never condemned desires and never described them as sinful. To them every desire had a legitimate role to play in its right place at its right hour.

Thus equal recognition to Kama meant accepting normal tendencies such as the desire to acquire things, to explore things, to give full weight to one's potentialities, one's needs, sensational, emotional, intellectual and physical. They were all given their due importance   

MOKSHA ASPECT: 

Moksha was aimed at the liberation from NATURE, liberation from FALSEHOOD, IGNORANCE and INCAPACITY. Moksha does not mean giving up the world, running away or fleeing from the world. The ancients and many even now believe that real liberation can be experienced in this very life through the help of GURU, and by the GRACE OF GOD. Thus many in recent times demonstrated this through their personal examples. These includes Rama Krishna Paramahansa, Ramana, Aurobindo and many include Mahatma Gandhi in this category. Dozens of Jeevan Mukthas live almost unpublicised and without revealing their identity. Many of them are simply known as Sadhus and some as Yogis.     

Those who were prepared to go through rigours of spiritual and moral life also aimed at MOKSHA or Salvation, even in this life. They were the Mahathmas, or Paramahansas (Noble Swan capable of discriminations,) or Jeevanmukthas, or Purana Purushas, simply known in English as Saints or Sages.

BRAHMACHARYA:

The students (Boys and girls) were trained till the age of 20 to 21, normally under Gurus, in their institutions known as Ashramas. It is one of celibate period, one of equipping with knowledge under the guidance of a renown teacher. The student stayed with him, worked for him and ate with him as a member of his household. Absolute equality of all, dignity of the labour, love of the nature, self help, absolute chastity in thought word and actions characterise he lives of the students. Courses of studies and duration of studies as well as instructions and learning processes were varied from one student to another.  

NOTE: Brahma charya lays stress on the SEXUAL PURITY in all its aspects of physical, mental or psychological, and behavioural sides of the life of the youth. Care of the sex-fluid or energy, was regarded as a sacred duty in life. This energy called OJHAS is gradually transformed into TEJAS, or the spiritual energy. Its immediate effects are found on Brain and its powers. Brain cells get illumined and brightened. 
Greater memory power ensues. Intellectual grasp/ capacity increases. Those who preserve it further will acquire internal VIDYUT, or inner electricity. Such people are capable of functioning both at the level of their INTELLECT as well as at the level of their WILL (POWER.) Any further attempt of preservation of sex-energy leads to increase spiritual powers, towards Atma Sakshatkara, or Self-realisation. This is the rationale of Brahmacharya.
       

GRIHASTA:

Grihasta is the stage of the HouseHolder. The householder is expected to have a fulfilment, the fulfilment of his desires, his responsibility to the family, to the Gods, to the society, and to the world.

When he reaches the age of 40 to 50, he retires not from his responsibilities but from involvement in society. He holds himself in readiness to serve, to and to advice. He launches upon serious study, serious self-reflection and serious contemplation. He pores over the problems of man and the world. He becomes an elder of the society who does not participate in active social life but is always ready to guide.

VANAPRASTHA:

Vanaprastha stage is not a preliminary stage to Sanyasa. It is a period for developing spiritual maturity. Only when the maturity is complete he is given the right to being an itinerant, a parivrajaka, and a super social man.  

SANYASA:

In ancient India the Sanyasa ashram was prescribed to all the males. During this period of total renunciation, the Sanyasin almost disappears from his native place. In general Sanyasins settle down at Holy places, Pilgrimage centres, and well establishes Gurukula ashrams. Their maintenance and welfare becomes the responsibility of the society as a whole. The endowment boards look them after or Trustees nominated to the upkeep of the Temples and public properties. 

The sanyasins spend most of their time in Meditation, doing Japa or penance and giving religious discourses to the public and functioning as the spiritual guides. Normally their bodies (on death) are cremated without even notifying to their families. In the case of women, as a rule they spend their last days under the care of their children and grand children. In rare cases they are given the option to spend at religious MUTTS, or establishments exclusively meant for them.

NOTE: The institution of MONASTERIES, MONKS and NUNS originated with the rise of Buddhism and Janism. In fact Christianity borrowed these aspects along with other practices such as delivering Sermons, Congregational prayers, use of rosary, worship of Sacred Relics, building monuments for the saints etc from BUDHISM. Traces of its routes of travel through the middle east are well established by the scholars inclusive of those from the west.

CASTE, ITS BEGININGS AND EVOLUTION:  

Caste had its origins in the individual aptitudes, inclinations and in the economic advantages of specialisation at a time when money-economy was unknown and wants were limited to the requirements of daily survival. Thus its origins are traced to psychology than to ethnology. Its religious interpretation is nothing but part of the creation myth, which can be found among all primitives and the surviving aboriginal tribes, found in South America and African interiors. 

Thus temperament of the soul determined the 'Svadharma." It was only later, as things decayed, as TRUTH receded from the surface, conventions and habits came to the fore and society simply decided the vocations of a man by his birth. The much abused caste system with its rigid rules regarding marriage, and inter dining is a product of the later curve of the decline of the Indian society.                 

NOTE: 

According to Prof. Maxmuler, the Purusha sukta theory, which refers to the origin of the caste in RIG-VEDA, is a later interpolation. To prove his conclusion he gave convincing internal evidence relating to the language difference, grammar usage etc. Most important is the reference is to the different professions followed by different members of the same family living as oneunit. 

Thus a woman author referred that her vocation was teaching children and supervising religious ceremonies while her mother was a casual labourer functioning as a maid servant, thus earning extra to meet family expenses. Her father was a seller of goods, and brother employed by the state as an administrator in peace times and as a warrior in war times. Thus all the four occupations, ( Herself as a Brahmin, Mother as a Sudra, Father as a Vaisya and Brother as a Kshatriya,) practised according to the aptitudes and convenience of members within the same family without going through any disabilities.

RELIGION AND PHILOSOPHY:

  • In India Religion and Philosophy flow together. Philosophy and spirituality constitute two parallel founts.    

  • In the Indian conception there is only KNOWLEDGE( Jnana,) and IGNORANCE.(Avidya.)

  • GOD: God is immanent, (Sarvantharyami,) He has no particular form, thus He is found in all forms including in the formless void/ emptiness. (SUNYA.) Hence he is described as NIRAKARA. He is above all LIKES and DISLIKES ( Raga Dveshas.)

  • There is no ORIGINAL SIN in the Indian Mind (Till the advent of other religions from abroad.) God does not punish. Man punishes by his acts.

  • GRACE OF GOD:  The Grace (Anugraha,) of God is endless. The derivation of the word "Anugraha," is from the root Anusritya. In Sanskrit it is explained thus, "Anusritya grihnati iti anugraha." Meaning " God's compassion follows where ever you go and holds you.  Thus Grace does not depend on deserts. The Grace of God is there to help him to endure what man brings upon himself.

  • Indians believe that there is continuity of life. Thus the oneness of life every where have been always recognised. Division is regarded as a product of Ignorance or Avidya.

  • It is axiomatic in the Indian tradition that all forms and objects have INSTINCTS in them, a spark of DIVINITY, a consciousness concentrated as the SOUL-ENTITY.  

Lord Nataraja

LORD NATARAJA THE SYMBOL OF TRANQUILITY:

 In the sculpture,'The dance of Nataraja,' there is much of Dynamism, Vigour, and Activity in his limbs. But careful examination of the EYES would reveal a tremendous, undisturbed calm. It emphasises that all activity; all movement has to proceed from a fundamental base of calm, of SILENCE. The whole creative DANCE proceeds from a FOUNDATION OF PEACE.  

Shiva represents a wide TRANQUILITY; SHAKTI, who dances upon his breast, is DYNAMISM. Such fundamental conceptions are there in every piece of art, in every branch of Indian Literatures.

All pain, all misery, all evil are temporary phenomena, which are to be over passed. The world is in the midst of a process, not at its end. That is why perhaps except for 'MRICHAKATIKA,' the classical Sanskrit drama, we do not have any great tragedies in the ancient literature.

CONCLUSION:
In INDIA, ALL ACTIVITIES WILL AN AUSPICIOUS END or happy conclusions. This is defined as MANGALA. The Vedic seer always speaks of the DAWN.  

 OM TAT SAT